Round
Barely thereFully circular or near-circular lenses, usually in a thin metal or fine acetate.
Why it works: Curves soften a strong jaw and a straight cheek line, which is exactly what an angular face has too much of.
Glasses guide
A diamond face is narrow at the forehead, widest at the cheekbones and narrow again at the jaw. Glasses sit directly above the widest point, which creates a constraint no other shape has: the frame has to add width at the brow without adding any at the cheek.
That is why browline and cat-eye frames come up repeatedly for this shape. Both put their weight along the top and leave the lower half light.
Whatever the shape, the frame should be about as wide as your face at the temples, and your pupils should sit near the centre of each lens — a little above centre is fine, low is not. A frame that fails this fits badly no matter how well the shape suits you.
A deep frame that rests on the cheekbones. Because the cheekbones are the widest point, a lens reaching down to them widens the face at its widest place, and on a strong cheekbone the frame will also physically lift when you smile.
Every one of these carries the reason it works, so you can judge a frame that isn’t on the list.
Fully circular or near-circular lenses, usually in a thin metal or fine acetate.
Why it works: Curves soften a strong jaw and a straight cheek line, which is exactly what an angular face has too much of.
Gently rounded and wider than tall — the least demanding frame shape there is.
Why it works: Softens angles without the commitment of a fully round lens, and stays narrow enough not to widen a face at the cheekbone.
Lifted outer corners with the weight of the frame concentrated along the top.
Why it works: Puts width and interest at the browline, which lifts a narrow forehead and draws the eye up and away from a heavy jaw.
A bold top rim across the brow with a rimless or fine lower half — the Clubmaster shape.
Why it works: All the weight sits high, adding width at a narrow forehead while the light lower half avoids bulking out the cheeks.
Thick acetate with a slightly trapezoidal lens and a pronounced upper corner.
Why it works: Angular enough to contrast a soft face, and the depth of the lens balances the width it adds.
Lenses mounted directly to the bridge and temples with no surrounding frame.
Why it works: Adds almost no visual weight, so it never competes with a face whose own structure is already the feature.
The first two both draw attention to the cheekbone — one by covering it, the other by being visibly narrower than it. Heavy bottom rims add weight at the jaw, where a diamond face is already narrow and does not need the contrast.
Cat-eye shades are the obvious pick and deserve their reputation here: they widen the brow, lift the outer corner and keep the lower edge clear of the cheekbone. Oval shades in a light metal work for the same reason. Avoid a deep wraparound, which sits straight on the cheek.
Narrow forehead and narrow jaw with the widest point at the cheekbones. Angular and photographs sharply.
You can measure it from a photo in a few seconds, or read the hairstyle guide for this shape.
FAQ